About the exhibition
Gray's material language begins with remnants: yarn, fabric, fibers, and the residue of making. Gathered and reworked, these fragments become dense surfaces that evoke microplastics, malignant cells, and landfills. Beauty and unease sit side by side.
The works consider consumption at multiple scales—from the intimacy of clothing and the studio to fast fashion, pollution, and climate change. Through reuse and circularity, To Be Consumed insists that waste is not an ending. It remains with us, changes form, and makes a claim on our collective imagination.
